How to take photo of architecture interior design
Knowing how to photograph architecture interior design correctly will be useful to all of us. After all, even people who pick up a camera twice a year go on vacation. Shooting buildings as best as possible will convey the atmosphere of the place and the space in which the traveler has been. But this genre has its own subtleties, without knowing which you can not make beautiful photos. About this and much more will be discussed in this article.
Mistakes of beginners
Architectural photography is the photographic representation of the external appearance of buildings, structures, bridges, etc. It is used in both commercial photography and artistic photography. Sometimes it is not easy to reflect the peculiarities of architectural style. The most common mistakes made by beginners include:
Often the frame is spoiled by the fact that the building in the picture appears to be tilted. This means that the photographer was standing too close to the subject and shot from a low point. You can get rid of the distortion by moving farther away.
The exception is when the perspective is distorted intentionally by the photographer to achieve a certain artistic effect. Such pictures usually look very dynamic, harsh and aggressive. The viewer may even get the feeling that they are trying to take him captive by locking him in their space.
The phenomenon in which lines at the edges of the frame distort and the picture seems concave (or convex), also familiar to many. Especially people who own wide-angle zoom lenses. And it is these optics are advised to choose when shooting architectural objects. However, the defect distortion can easily fix the program for editing photos. Most modern editors have tools that work with geometric distortions.
This is the biggest mistake a photographer can make. Avoid it will help mark the horizon line, which is a horizontal line on the screen. You can turn it on in the camera settings.
The wrong angle can ruin the most original idea. Always take a couple of test shots from different angles to see what the result will be and to get it right on the spot.
“Cut off” parts of buildings
When we want to focus on a bas-relief, fine stucco or other architectural detail, only that object gets in the frame. And if the shot is not successful, then a piece of the roof, wall or foundation gets in with it. Such pictures look very absurd. If you want to shoot just a decorative element, make it beautiful. Otherwise, it is better to photograph the whole building.
Basic rules and tips
Photographing architecture is an interesting and fascinating process. Following a few simple rules will help you take technically correct and beautiful pictures.
The choice of point of view is very important. Try to go around the whole building, trying out different compositions and variations. Include in the frame various details: parts of other buildings, sidewalks, puddles, pedestrians. It adds atmosphere to the picture and helps to see it through the eyes of a photographer.
The same building looks different at different times of day. The midday sun makes for a very contrasting image with harsh shadows and spots. The soft, diffused light of early morning will help you get a detailed picture. Are you going to shoot architecture in the evening? Choose such an angle that the sun is behind you. Then details of the building will be well illuminated and you will get an expressive picture.
What is the right way to photograph buildings when it comes to composition? The focus should always be on the subject. But that doesn’t mean the building should be in the center of the picture. It’s important to accentuate the building and make it stand out with all the other details. It could be a whole architectural ensemble, a part of a wall or staircase. It is very good to use natural framing: arches, trees, window and doorways, tunnels, etc. This compositional solution will add a sense of depth and volume to the shot.
Choice of lens
Traditionally architecture is photographed with wide angle lenses. They have a wide angle, which allows you to “fit” in the frame of the whole building, if you can not, for example, move away from the subject. But at the same time they suffer from optical distortions: vertical lines convergence etc.
Tilt-shift lenses allow you to correct perspective and thus keep straight lines of walls vertical. Another option for lenses used to take pictures of buildings and industrial landscapes are televisions. This is the best choice if you intend to shoot at a considerable distance from the subject.